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Stray dogs tear the pieces of meat thrown on the ground, accentuated through the spike in audio. Maggots and rats hurdle among the dead fishes. The grotuessness reaches its peak when a man vomits against the wall.
Yet for the montage to franticly evoke scent, it is not merely a composing of rapid transitioning images. We often use expressions connected to other fields of sensing to describe smelling.
Jiaying, p. Cinema is able to evoke sense experience through intersensory links. Instead, they serve as a guiding vehicle to describe a scent is this unable to verbalize. This scent was inconceivable, indescribable, could not be categorized in any way - it really ought not to exist at all. And yet there it was as plain and splendid as day.
Tykwer fabricates this perception mainly through camerawork and editing. Grenouille closes his eyes like other scenes in which he exercises his abilities.
As the camera cuts, back to Grenouille, the change of camera angle as he walks forward is intended to create a sense of secrecy. The spectator is positioned behind his head, or by extension, his point of view. Close ups of the girl frame her chest, hair and arms.
The formulation of scent montage earlier, is effective in that its lack of usage in this scene replicate the same inconceivable nature that is established in the novel.
Tykwer demonstrates not only how cinema can evoke scent, but moreover how it can visualize differentiated scents. With the one difference, however, that the alphabet of odours is incomparably larger and more nuanced than that of tones. It is a work of art that is equal to musical composition. Coincidentally, Eisenstein also expresses how the art of film and montage is comparable to musical analogies. He does so through dialogue and score composition.
As Grenouille begins his apprenticeship, Baldini describes the properties of scent in the form of musical analogies. Each perfume contains three chords: The head, the heart and the base, necessitating twelve notes in all.
The head chord contains the first impression, lasting a few minutes before giving way to the heart chord, the theme of the perfume, lasting several hours. Finally, the base chord, the trail of the perfume, lasting several days. Mind you, the ancient Egyptians believed that one can only create a truly original perfume by adding an extra note, one final essence that will ring out and dominate the others.
Then there is the role of soundtrack. It provokes the spectator's emotion to generate sympathy. Several other scenes in Perfume allow for similar examinations.
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